Review, Theatrical

Time for a Reel AMERICAN FICTION review

About the film (courtesy of Amazon MGM Studios):
Jeffrey Wright stars as Monk, a frustrated novelist who’s fed up with the establishment profiting from “Black” entertainment that relies on tired and offensive tropes. To prove his point, Monk uses a pen name to write an outlandish “Black” book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.

American Fiction is a film that grabs you from the opening scene and doesn’t let go until the credits roll. Directed by the talented Cord Jefferson, the film is a smart and engaging dramedy that tackles important social issues with humor, heart, and surprising depth. This is his directorial debut feature film and it crackles with intelligence and wit. It tackles complex themes of race, identity, and the commodification of Black culture with a refreshing honesty and humor.

Jeffrey Wright delivers an award-worthy performance as Monk, a jaded novelist who decides to satirize the publishing world by writing a book under a pen name. As Monk navigates the treacherous waters of instant success and fame, he grapples with his own identity and the consequences of his actions.

The supporting cast is equally impressive, with Tracee Ellis Ross, John Ortiz, and Erika Alexander all delivering memorable performances. The best of the bunch may be Sterling K. Brown, as he gives a phenomenal performance that should garner buzz come award season. The chemistry between the actors is palpable, and their interactions are both funny and touching.

American Fiction is beautifully shot, with a vibrant color palette that captures the energy of Charleston, South Carolina, where the story takes place. The soundtrack is also excellent, featuring a mix of soul, jazz, and R&B that perfectly complements the mood of the film.

One of the film’s greatest strengths is its ability to seamlessly blend humor with serious social commentary. Through Monk’s journey, the film explores themes of race, identity, and the commercialization of art. Similarly to what Boots Riley did with Sorry to Bother You (2018), the film doesn’t shy away from difficult conversations, it does so with wit and intelligence, leaving the audience entertained and thoughtful.

American Fiction is not just a film; it’s an experience, but not necessarily for everyone. It’s a film that requires patience and an open mind. But for those willing to take the journey, it is a deeply rewarding experience. This is one that will stay with you long after the credits roll, making you think about the world around you and your place in it. Percival Everett, author of the 2001 novel Erasure that this film is based on, should be proud of what’s been created here.

Before sure to check out this amazing experience when American Fiction comes exclusively to theaters starting December 15.


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