About the film (courtesy of Warner Bros.):
After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.

After three and a half decades, it seems that “The Juice” is loose, again. Of course I’m referring to Michael Keaton reprising his role as the quippy, mischievous demon who often fast talks his way into and out of trouble. This time around, Beetlejuice is back to torment not just the living, but also the afterlife in Beetlejuice Beetlejuice, a sequel that delivers the same macabre humor and visual spectacle we’ve come to expect, albeit with a few modern twists.

Beetlejuice Beetlejuice kicks off with Lydia Deetz (Winona Ryder, also reprising her role) now a widowed mother trying to connect with her teenage daughter, Astrid (Jenna Ortega). When a real estate scheme threatens their beloved home, Lydia, in her desperation, calls out Beetlejuice’s name three times. This unleashes the bio-exorcist back into their lives, and soon chaos ensues.

Keaton effortlessly slips back into Beetlejuice’s striped suit and ghoulish makeup. He commands every scene with his trademark manic energy, delivering one-liners with impeccable comedic timing. The script smartly updates Beetlejuice’s antics for the 21st century, incorporating social media and internet culture into his repertoire of tricks.

However, the true heart of Beetlejuice Beetlejuice lies in its exploration of family dynamics and grief. Lydia’s struggle to connect with her daughter mirrors her own strained relationship with her deceased father. Beetlejuice, in his own twisted way, becomes a catalyst for healing and reconciliation, forcing the characters to confront their past traumas.

The visual effects are a feast for the eyes. Tim Burton’s signature gothic aesthetic is on full display, with imaginative set designs and fantastical creatures inhabiting the afterlife. Beetlejuice Beetlejuice also pays homage to the original with several callbacks and Easter eggs that fans will appreciate.

Where Beetlejuice Beetlejuice stumbles slightly is in its pacing. The first act feels a bit sluggish as it sets up the plot and reintroduces the characters. However, once Beetlejuice enters the picture, the film picks up momentum and delivers a satisfying climax. The other minor knock is that there’s nothing wildly new about the sequel, as it’s basically more of the same. This is more of an observation than a true criticism. If it ain’t broke…

Beetlejuice Beetlejuice is still a worthy successor to the original, offering a delightful blend of nostalgia and a couple of fresh ideas. Keaton’s performance is nothing short of iconic, and the film’s exploration of family themes adds depth to the otherwise zany plot. While not without its flaws, the film ultimately delivers a fun and heartwarming experience that will leave audiences in a good place. It’s a testament to the enduring appeal of these characters and the timeless power of laughter, even in the face of the macabre.

Whether you’re a die-hard fan of the original or new to the Beetlejuice universe, this sequel is sure to entertain. So go ahead, say his name three times and prepare to be transported back to a world where the afterlife is just a prank away. Just be warned, you might find yourself humming “Day-O” for days afterward. Or you could be like me and turn on “MacArthur Park” by Donna Summer (my personal favorite version) as soon as you get in the car.

Beetlejuice Beetlejuice is in theaters all across the nation starting Friday, September 6. Go have some nonsensical fun.