Review, Theatrical

Time for a Reel THE FIRST OMEN review

About the film (courtesy of 20th Century Studios):
When a young American woman is sent to Rome to begin a life of service to the church, she encounters a darkness that causes her to question her own faith and uncovers a terrifying conspiracy that hopes to bring about the birth of evil incarnate.

The First Omen is a chilling prequel that skillfully revisits the unholy universe of the classic ’70s horror film. It delivers an unsettling blend of religious dread, body horror, and a gnawing sense of impending doom, making it a worthy addition to the franchise.

Set in a secluded Italian convent, The First Omen follows Margaret (Nell Tiger Free), a young American woman seeking to devote her life to the church. However, a series of strange occurrences and a growing darkness within her shake her faith. As Margaret’s connection to a sinister prophecy becomes clear, the convent transforms from a place of sanctuary into a claustrophobic nightmare.

Director Arkasha Stevenson expertly crafts an atmosphere of escalating terror. Long, haunting shots of the convent’s stark corridors and eerie iconography build a constant sense of unease. The First Omen wisely plays on the closeness of innocence and corruption, using Margaret’s spiritual journey as a stark backdrop for the evil lurking around her. The cinematography and set design give a truly authentic feel to the 1970s from a visual perspective. Nice touch.

The body horror in The First Omen is right in your face and it’s disturbing. While not exploitative, it emphasizes the fragility of human flesh against supernatural forces. These graphic scenes may be difficult for some viewers to stomach but effectively underscore the horror unfolding.

Nell Tiger Free delivers a compelling performance as the film’s lead. She portrays the character’s internal struggles and growing fear with both vulnerability and fierce determination. The supporting cast, particularly the nuns of the convent, create a compelling ensemble shrouded in ambiguity and suspicion.

While The First Omen occasionally stumbles in pacing, especially in the middle act, it regains momentum for a satisfyingly grim finale. The film smartly integrates elements that will be familiar to fans of the original, yet maintains a fresh perspective that keeps the story compelling.

The First Omen may not be for the faint of heart. It’s a film steeped in darkness, exploring themes of corrupted faith and the terrifying vulnerability of the human body. However, fans of the original, and those seeking a disturbing and well-crafted horror experience, will find this prequel a worthy and unsettling entry in the sinister world of Damien.

Hopefully The First Omen can scare up a few dollars when it opens exclusively in theaters on June 6th at 6:00 PM. Just kidding with a little “666” humor. It’s true release is Friday, April 5th with select showings Thursday evening in case you want to get your fear on a little early.


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